Quiz 2: Choosing Emotive Chords
Q1. True or False: A triad is made up of 3 notes.
- True
- False
Q2. What are the three primary chords in a major key?
- I, IV, V
- I, II-, V
- V, VI-, I
- IV, VI-, III-
Q3. True or False: The IV chord is the “home” chord in a major key.
- True
- False
Q4. What are the primary chords in the key of C major? (Select all that apply)
- C major
- D minor
- E minor
- F major
- G major
- A minor
- B diminished
Q5. Which of the following are secondary chords in the key of C major? (Select all that apply)
- C major
- D minor
- E minor
- F major
- G major
- A minor
- B diminished
Q6. Which of the following is NOT a common chord progression? (Examples have been given in the key of C major)
- I, IV, VI-, V (C, F, Amin, G)
- IV, V, I, VI- (F, G, C, Amin)
- I, #IVdim, IV, IV- (C, F#dim, F, Fmin)
- I, V, VI-, IV (C, G, Amin, F)
Q7. What are two non-diatonic chords in the key of C major? (Select two)
- II (D major)
- V (G major)
- III- (E minor)
- IV- (F minor)
Q8. What seven notes make up the A natural minor scale? (Select all that apply)
- C
- C#
- D
- D#
- E
- Eb
- F
- F#
- G
- Gb
- A
- Ab
- B
- Bb
Q9. What are the diatonic chords in A natural minor? (Select all that apply)
- A minor
- A major
- B diminished
- B minor
- C major
- C minor
- D diminished
- D minor
- E minor
- E major
- F minor
- F major
- G major
- G diminished
Q10. What are two common chord progressions introduced in this lesson for minor keys? (Select two)
- I-, V-
- I, IV-, bIII
- I-, IV major
- I-, bIII, bVII, bVI
Quiz 3: Self-Assessment: Add Chords to a Verse
Q1. Did you record yourself playing or write out your verse with a chord progression?
- Yes
- No
Q2. Did you share a link to your .mp3 or an image of your work in the discussion forums?
- Yes
- No
Q3. Based on the following criteria, was your verse the appropriate length?
Beginner (1 Point) | Developing (2 Points) | Proficient (3 Points) | Exceptional (4 Points) | |
---|---|---|---|---|
Verse Length | Your verse is less than 4 measures long. | Your verse is less than 8 measures long. | Your verse is 8 measures long. | Your verse is more than 8 measures long. |
- Beginner
- Developing
- Proficient
- Exceptional
Q4. Based on the following criteria, how would you assess the chord progression you used in your verse?
Beginner (1 Point) | Developing (2 Points) | Proficient (3 Points) | Exceptional (4 Points) | |
---|---|---|---|---|
Chord Progression | Your verse does not use one of the provided chord progressions. | Your verse uses one of the suggested chord progressions half of the time. | Your verse uses one of the suggested chord progressions throughout. | Your verse uses one of the suggested chord progressions and includes at least one non-diatonic chord that was demonstrated in the lesson. |
- Beginner
- Developing
- Proficient
- Exceptional
Q5. Based on the following criteria, how well does your chord progression support your lyrics?
Beginner (1 Point) | Developing (2 Points) | Proficient (3 Points) | Exceptional (4 Points) | |
---|---|---|---|---|
Lyrical Support | The chosen progression does not adequately support the feeling of the lyrics. | The chosen progression somewhat supports the feeling of the lyrics. | The chosen progression appropriately supports the feeling of the lyrics. | The chosen progression perfectly supports the feeling of the lyrics and incorporates non-diatonic chords when necessary to match the lyric. |
- Beginner
- Developing
- Proficient
- Exceptional
Quiz 1: Create Contrast with Harmonic Rhythm
Q1. What is harmonic rhythm?
- The tempo of the song
- The groove of the song
- The length of time you play a chord before changing to the next chord
- The length of time you continue singing one of your lyrics
Q2. True or False: You can create a major 7th chord by adding a major third on top of a major triad.
- True
- False
Q3. What notes make up a D minor 7th flat 5 chord? (Select 4 answers)
- D
- E
- F
- F#
- Gb
- G
- Ab
- Bb
- B
- C
Q4. True or False: You can create a Major 7th chord by adding the note that is a half step below the first note of your triad.
- True
- False
Q5. True or False: A dominant seventh chord is the same as a major seventh chord.
- True
- False
Q6. True or False: To add a tension 9 to your chords, add the note a whole step above the first note of your 7th chord.
- True
- False
Q7. What 4 notes are used to make a G dominant 7th chord?
Submit your answer in the following format:
- Use all capital letters
- Do not put spaces between the note names
- Use a lower case “B” for flats and “#” for sharps (e.g. F# or Bb for F sharp and B flat)
Example of a correctly formatted answer:
DF#AbC
Enter answer here
Q8. What 5 notes are used to make a C major 7th add 9 (CMaj9) chord?
Submit your answer in the following format:
- Use all capital letters
- Do not put spaces between the note names
- Use a lower case “B” for flats and “#” for sharps (e.g. F# or Bb for F sharp and B flat)
- Write the 9th last, after the first four note names
Example of a correctly formatted answer:
DF#AbCE
Enter answer here
Quiz 2: Self-Assessment: Create Contrasting Song Sections
Q1. Did you record yourself playing or write out a verse and chorus?
- Yes
- No
Q2. Did you share a link of your .mp3 or an image of your work to the discussion forums?
- Yes
- No
Q3. Based on the following criteria, was your verse and chorus the appropriate length?
Beginner (1 Point) | Developing (2 Points) | Proficient (3 Points) | Exceptional (4 Points) | |
---|---|---|---|---|
Section Length | Your verse and chorus together are less than 8 measures long. | Your verse and chorus together are less than 12 measures long. | Your verse and chorus together are 16 measures long. | Your verse and chorus together are more than 16 measures long. |
Beginner
Developing
Proficient
Exceptional
Q4. Based on the following criteria, how would you assess the chord progression you used for your verse and chorus?
Beginner (1 Point) | Developing (2 Points) | Proficient (3 Points) | Exceptional (4 Points) | |
---|---|---|---|---|
Chord Progression | Your two song sections do not include 7th or 9th chords. | Your two song sections use one of the suggested chord progressions and one 7th or 9th chord. | Your two song sections use one of the suggested chord progressions and two 7th or 9th chords. | Your two song sections use one of the suggested chord progressions or an original chord progression and three or more 7th and 9th chords. |
- Beginner
- Developing
- Proficient
- Exceptional
Q5. Based on the following criteria, how well did you create contrast between your two song sections?
Beginner (1 Point) | Developing (2 Points) | Proficient (3 Points) | Exceptional (4 Points) | |
---|---|---|---|---|
Contrasting Sections | Your harmonic rhythm does not change between sections. | Your harmonic rhythm changes for one measure between sections. | Your harmonic rhythm changes between sections. | Your harmonic rhythm changes between sections and at specific points to highlight your lyrics. |
- Beginner
- Developing
- Proficient
- Exceptional
Q6. Based on the following criteria, how well does your harmony support your lyrics?
Beginner (1 Point) | Developing (2 Points) | Proficient (3 Points) | Exceptional (4 Points) | |
---|---|---|---|---|
Lyrical Support | The chosen progression does not adequately support the feeling of the lyrics. | The chosen progression somewhat supports the feeling of the lyrics. | The chosen progression appropriately supports the feeling of the lyrics. | The chosen progression perfectly supports the feeling of the lyrics and incorporates non-diatonic chords when necessary to match the lyric. |
- Beginner
- Developing
- Proficient
- Exceptional
Quiz 1: Developing Interesting Melodies
Q1. What is the most stable note in the key of C major?
- D
- F
- G
- A
- E
- C
- B
Q2. What are the four unstable notes (written as scale numbers below) in a major key? (Select 4)
Note: In the C major scale, C would be 1.
- 1
- 2
- 3
- 4
- 5
- 6
- 7
Q3. What is the least stable note in the key of C major?
- A
- B
- G
- F
Q4. What are the four unstable notes in the key of C major?
- C
- D
- E
- F
- G
- A
- B
Q5. True or False: The four types of melody are simple, stable, steps, and leaps.
- True
- False
- Q6. True or False: You can repeat a melody 2 or 3 times in a row before you need to change it in some way to keep your audience entertained.
- True
- False
Q7. Retrograde is a developmental technique that:
- involves inverting the melodic idea.
- involves playing a recorded song in reverse.
- involves flipping the melodic contour upside down.
- involves taking a melodic idea and playing it backwards.
Q8. True or False: Repetition is a melodic developmental technique where you repeat the lyrics 4 times in a row.
- True
- False
Q9. True or False: Rhythmic Sequencing is when the rhythm remains the same, for a lyric but the melody changes slightly.
- True
- False
Q10. How do you use the developmental technique inversion?
- Change the melody slightly but keep the rhythm the same.
- Repeat the melody in reverse.
- Invert the shape or direction of the melody.
- Repeat the melody exactly.
Quiz 2: Self-Assessment: Developing Melodies
Q1. Did you record yourself playing or write out your verse and chorus?
- Yes
- No
Q2. Did you share a link to your .mp3 or an image of your work in the discussion forums?
- Yes
- No
Q3. Based on the following criteria, is your verse and chorus the appropriate length?
Beginner (1 Point) | Developing (2 Points) | Proficient (3 Points) | Exceptional (4 Points) | |
---|---|---|---|---|
Section Length | Your total project (both sections) is less than 8 measures long. | Your total project (both sections) is less than 12 measures long. | Your total project (both sections) is 16 measures long. | Your total project (both sections) is more than 16 measures long. |
- Beginner
- Developing
- Proficient
- Exceptional
Q4. Based on the following criteria, how well have you created contrast between your sections?
Beginner (1 Point) | Developing (2 Points) | Proficient (3 Points) | Exceptional (4 Points) | |
---|---|---|---|---|
Contrasting Sections | There is no change between your song sections. | There is minimal change between your song sections. | There is appropriate contrast between your verse and chorus created with either harmonic or melodic rhythm. | There is appropriate contrast between sections using both harmonic and melodic rhythm and contrast is used to highlight specific lyrics. |
- Beginner
- Developing
- Proficient
- Exceptional
Q5. Based on the following criteria, how interesting is your melody?
Beginner (1 Point) | Developing (2 Points) | Proficient (3 Points) | Exceptional (4 Points) | |
---|---|---|---|---|
Melodic Development | The melody uses only stable tones and mostly static melody with no melodic variation. There are no obvious developmental techniques. | The melody uses mostly stables tones and a few unstable tones and one developmental technique is used. There is minimal variation in melodic contour. | The melody includes both stable and unstable tones and two developmental techniques are used. The melody includes an interesting combination of melody types. | The melody uses stable and unstable tones in the melody and a combination of melody types that support the lyrical narrative. Several developmental techniques are apparent and the chorus has an intriguing melodic hook. |
- Beginner
- Developing
- Proficient
- Exceptional
Q6. Based on the following criteria, how well have you used prosody in your melody?
Beginner (1 Point) | Developing (2 Points) | Proficient (3 Points) | Exceptional (4 Points) | |
---|---|---|---|---|
Prosody (Lyrical Support) | The harmony and melody does not adequately support the feeling of the lyrics. | The harmony and melody somewhat support the feeling of the lyrics. | The harmony and melody appropriately support the feeling of the lyrics. | The harmony and melody perfectly support the feeling of the lyrics and incorporates non-diatonic chords when necessary to match the lyric. |
- Beginner
- Developing
- Proficient
- Exceptional
Quiz 1: Telling a Story with the Music
Q1. True or False: A chord tone is a tone that is in the chord.
- True
- False
Q2. Which notes are chord tones of the G major chord?
- G, D, F
- G, A, C
- G, B, D
- G, B, E
Q3. Which of the following notes would be considered non-chord tones for a G major 7th chord? (Select all that apply)
- A
- B
- C
- D
- E
Q4. What is the strongest beat in a measure of 4/4?
- Beat 1
- Beat 2
- Beat 3
- Beat 4
Q5. What is the second strongest beat in a measure of 4/4?
- Beat 1
- Beat 2
- Beat 3
- Beat 4
Q6. What is the most unstable note in a minor key scale?
- 6
- 1
- 2
- 5
Q7. What are the three most stable tones in a minor key scale? (Select three)
- 1
- 2
- 3
- 4
- 5
- 6
- 7
Q8. True or False: A dependent melody is a melody that does not need harmony to sound good.
- True
- False
Q9. What is a non-chord tone?
- A tone that is used in the notated triad
- A tone that is in the chord
- A tone that is not in the chord
More Related Topics on Networking Funda>>
- Reducing Gun Violence in America: Evidence for Change Quiz Answers
- Creating Toolpaths for a CNC Lathe Quiz Answers
- Introduction to User Experience Design Quiz Answers